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Shakespe atomic number 18 uses the antics of Oberon and Puck at the headway of this comedy, using the juice to make everyone fall in have sex, however they mistake due to their arrogance as Oberon vaguely describes Demerits by by the Athenian garwork forcets he hath on. The iambic meter indicates these characters are powerful, yet their actions are unintelligent the concept of incompetent leadership is a humorous stereotype, ofttimes used in dramatic comedy. Here, however, the joke is mocking power, or rather who we give power to, as Shakespeare portrays Oberon as using his power recklessly.The priming coat Oberon and Puck start squeezing the juice on the lovers is that the character overheard A sweet Athenian girl and a disdainful youth, and so, in the guise of trying to help them, he creates havoc. Borons aid, however, is a facade he only desires control he knows that Demerits doesnt love Helena back, and so he interferes. This attitude reflects that of the Queens court as Lo uis Monitors puts it, Queen Elizabeth Xis marital status and her internal condition were matters of the assert, reflected when Oberon plans to put the juice on Titanic so that she renders her page to him.Oberon and Puck, in that respectfore, are shown as metaphors for the male Elizabethan bring up where the men knew everything about the Queen and tried to control her in order to follow out their interests they tried to force her into getting married, and reproducing in order for the country to ache an heir, just as Oberon tried to force Titanic to change her principal when she defies him saying the fairy land buys not the child off me.Ultimately, patronage Titanics rebellion, she straight away gave the changeling child to Oberon because he belies her with he juice, edition her love an ass this is comedic, especially when the character awakens and worries about being captivate to an assn. The fact that it was the fairy queen to whom this occurred is significant as this term was often a metaphorical give earence to Queen Elizabeth in Renaissance literature.The juice is typic of ultimate patriarchal power however, in reality there is no juice to make the Queen yield and produce an heir for the State. Shakespeare therefore is mocking State power as they can never obtain their desires because for once there was a ruler who resisted male authority. The state also is shown through Oberon and this reference to an ass may rattling be a reference to Oberon- whom is the one who has acted truly the ass and has Titanics love- and so the state itself.This male lust for power in lift upn, moreover, in the disorder at the start of the play in Shakespearean portrayal of the relationship amidst Hermit and Segues in regard to her choice of husband. Segues believes this hath bewitched the bosom of my girlfriend Shakespeare refers to Alexander here as this, dehumidifying the character and therefore highlighting the Segues has towards Alexander. Segues wants to th row away of his daughter to her death because she chooses someone other than who he wants a presumable betrayal.Segues parental constraint mirrors the expectations Elizabethan parents had for their children, leading to the 1 753 The Hardwired Act which avoid any marriages of people under 21 or if parental/ protector consent was not granted 1 753 was after the play was create verbally demonstrating the dangerous legacy patriarchal Elizabethan England left. Segues also does not refer to Hemi by name through this passage, instead only using pronouns such(prenominal) as her, yet, the men are named twice in it.This highlights the misogyny as the men, unlike Women, are worthy of name- even Alexander who Was previously scarce a this. The namelessness inflicted on Hermit reflects the fact that before the 1 7th century married females had no second enamel , accent the fact that she was lower than men and just a possession of every her husband or father, as seen as Segues claims Hermit is mine. Moreover, the idea of a Helena, a love-struck teenager, following her love who has rejected her is funny, until Demerits threatens to do thee mischief n the woods.The imperative highlights how threatening this character is, and therefore- because Demerits represents a sort of Everyman- is symbolic of the threatening nature of man, a nature also seen in the intensity level of Oberon. This scene takes place on the outskirts of the green world (the forest) and so in a limbo between reality, sensuality and disorder we dont know what is achievable here therefore making Demerits even more dangerous and and so amplifying the danger of his, and every mans, authority in this world, as we can see by Borons greater power. This scene betweenDemerits and Helena also emphasizes inequality he threatens this terrible act because a female character is stalking him for love, duration he does the same to another. This is ironic and paradoxical, making us question the attitudes Demerits re presents it would count that it is fine for a bold man to stalk someone because they are- as Dorothy Leigh says- amongst the wise, while when a woman is strong other women go forth blush at their boldness2. The motif of rape appears symbolically when Oberon plans to manipulate Demerits, Alexander and Titanic when they are asleep at the eight vulnerability and exposure.Oberon attacks them with the juice, frankincense taking away their will and dignity, in its place leaving distress- as a rape would do. In this case, Borons metaphorical actions are tearing apart(predicate) the double cherry of Hermit and Helena, striping their symbolic sisterhood to a union in partition. However, this violent authority was not singular in the 17th century, and neither was it a crime that was prosecuted. It was a commonplace attitude that women were objects of beauty and obedience, as shown in Dry Faustus.Faustus just wants a where wife, or an illusion of Helen of Troy, neither of whom had free wil l, and although these two plays are of frigid genres, the aggression towards women is seen in some(prenominal). This shows how it is not only the genre of dramatic comedy, notwithstanding renaissance theatre in general which holds a mirror to the darker issues of the day. misogynism is further seen at the start of the play where Theses claims to have won thy life doing Happily injury, the connotations here of violence reflect the patriarchal period of the play.This is emphasizes because Theses took Happily from a injunction matriarchal Amazonian culture to one where she is objectified as nothing more than a prize (coven thy ) implying that this love between them is not what it appeared to be, but is actually another example of male control. As Alison Plowmen explains, nobody had any objections to love as long as the price was right Theses will take a shit status and the potential for an heir. Contrastingly, Happily loses her independence and Persephone, thus foregrounding the both the literal and symbolic battle of the sexes throughout the play due to the male coercion.